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[ºí·ç·¹ÀÌ] Àú¼öÁöÀÇ °³µé : ·»Æ¼Å§·¯ Ç®½½¸³ ÇÑÁ¤ÆÇ Reservoir Dogs, 1992
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¹è¼Û·á´Â 2,000¿øÀÌ¸ç ¹«·á¹è¼Û»óÇ°°ú °°ÀÌ ÁÖ¹®ÇϽðųª ÃÑ
3¸¸¿ø ÀÌ»ó ÁÖ¹®½Ã ¹«·á¹è¼ÛµË´Ï´Ù. |
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¡Ø ÁÖÀÇ »çÇ× : ºí·ç·¹ÀÌ(Blu-ray) µð½ºÅ©´Â ºí·ç·¹ÀÌ Àü¿ë Ç÷¹À̾¼¸¸ Àç»ýµË´Ï´Ù. µû¶ó¼ ±âÁ¸ DVD Ç÷¹À̾¼´Â Àç»ýÇÒ ¼ö ¾ø½À´Ï´Ù. |
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Çѱ¹¾î. ¿µ¾î. ½ºÆäÀξî,Áß±¹¾î |
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2.40:1 / 1080P (Full HD)
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English DTS-HD High Resolution 6.1 ES,English Dolby Digital 5.1 EX
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Á¦ÀÛ»ç |
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A
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1992 |
Ãâ½ÃÀÏÀÚ |
2018-03-23
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µ¿ºÎ LAÀÇ ¾î´À³¯. ÆóÇãÀÇ ÅÖºó â°í ¾È. ´ë±Ô¸ð º¸¼® °µµ¸¦ À§ÇØ ¼·Î¸¦ ÀüÇô ¸ð¸£´Â 6¸íÀÇ ÇÁ·Î °»µéÀÌ ÇÑ°÷¿¡ ¸ðÀδÙ. À̵éÀ» ÇÑ°÷¿¡ ºÒ·¯ ¸ðÀº À庻ÀÎÀº ÇÁ·ÎÆмųΠµµµÏÀÎ ÁÒ Ä³º¿(Joe Cabot: ·Î·»½º Ƽ¾î³×ÀÌ ºÐ)°ú ±×ÀÇ ¾Æµé ³ªÀ̽º °¡ÀÌ ¿¡µð(Nice Guy Eddie: Å©¸®½º Ææ ºÐ). ´ÙÀ̾Ƹóµå µµ¸Å»óÀ» °Å»ÇÏ´Â º¸¼®°µµÀÇ Àü °úÁ¤À» ÁöÈÖÇÏ´Â ÀÌ µÎ »ç¶÷Àº 6¸íÀÇ °»µé¿¡°Ô °¢°¢ÀÇ °¡¸íÀ» ÁöÁ¤ÇÑ´Ù. ¹Ì½ºÅÍ ÈÀÌÆ®(Mr. White/Larry: ÇϺñ Å°ÀÌÅÚ ºÐ), ¹Ì½ºÅÍ ¿À·»Áö(Mr. Orange/Freddy: ÅÛ ·Î½º ºÐ), ¹Ì½ºÅÍ ÇÎÅ©(Mr. Pink: ½ºÆ¼ºê ºÎ½º¼¼¹Ì ºÐ), ¹Ì½ºÅÍ ºí·Ðµå(Mr. Blonde/Vic: ¸¶ÀÌŬ ¸Åµå½¼ ºÐ), ¹Ì½ºÅÍ ºí·ç(Mr. Blue: ¿¡µå¿öµå º¡Ä¿ ºÐ), ¹Ì½ºÅÍ ºê¶ó¿î(Mr. Brown: Äí¿£Æ¾ Ÿ¶õƼ³ë ºÐ). ¼·ÎÀÇ ½ÅºÐÀ» ³ëÃâ½Ãų ¾î¶°ÇÑ Á¤º¸ ±³È¯µµ ÇÏÁö ¸» °ÍÀ» Áö½ÃÇÑ´Ù. ÇÇ·Î µÚ¹ü¹÷ÀÌ µÈ º¸¼® °µµÀÇ ÇöÀå. ÁÒ Ä³º¿°ú ¿¡µð°¡ ÁöÁ¤ÇÑ Àå¼Ò¿¡¼ ÁöÁ¤ÇÑ ¹æ¹ýÀ¸·Î °Å»ç¿¡ ´ë¼º°øÇÑ °»µéÀº ±×µé ¾ÕÀ¸·Î µ¹¾Æ¿Ã °Å¾×À» ²Þ±¸¸ç ȯȣ¼ºÀ» Áö¸¥´Ù. ±×·¯³ª ȯȣ¼ºÀº Àá½Ã, ±×µéÀÇ °µµÁþÀÌ ³¡³ª±â¸¦ ±â´Ù¸®¸ç ¹®¹Û¿¡ ´ë±âÇÏ°í ÀÖ´ø °æÂûÀ» ¹ß°ßÇÑ ±×µéÀº °æ¾ÇÀ» ±ÝÄ¡ ¸øÇÑ´Ù. ¼·ÎÀÇ Á¸Àç¿Í ¿ªÇÒ¿¡ ´ëÇØ ¾Æ¹«·± »çÀü Á¤º¸°¡ ¾ø´Â °»µéÀº ¼·Î¸¦ ÀǽÉÇϱ⠽ÃÀÛÇÑ´Ù. Àüü °Å»ç ÁßÀÇ ºÎºÐ¸¸À» ´ã´çÇß´ø °»µéÀº °¢ÀÚ ÀÚ½ÅÀÇ ¿ªÇÒ°ú »ç°ÇÀÇ Àüü¸¦ À̾±â ½ÃÀÛÇÏ°í. ±×·¯³ª Á¶Á÷³»¿¡ ¹è½ÅÀÚ°¡ °³ÀԵǾú´Ù´Â »ç½ÇÀÌ Á¡Á¡ ¸íÈ®ÇØÁú»Ó, ´Ù¸¥ °ÍÀº ¾Æ¹« °Íµµ ¾Ë ¼ö°¡ ¾ø´Ù. ÀÚ½ÅÀÇ Á¤Ã¼¸¦ ³ëÃâÇÏ°í ¼·Î¿¡ ´ëÇØ ¾Ë¾Æ°¥ ¼ö·Ï Á¡Á¡ ´õ ¹Ì±Ã ¼ÓÀ¸·Î ºüÁ®µå´Âµ¥..
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¡Ø ½ºÆä¼ÈÇÇÃÄ
* Original Interviews
- Chris Penn (6ºÐ 52ÃÊ)
- Kirk Baltz (6ºÐ 51ÃÊ)
- Michael Madsen (11ºÐ 14ÃÊ)
- Lawrence Bender (6ºÐ 11ÃÊ)
- Tim Roth (9ºÐ 8ÃÊ)
- Quentin Tarantino (14ºÐ 44ÃÊ)
* Deleted Scenes
- Background check (4ºÐ 40ÃÊ)
- No Protection (2ºÐ 57ÃÊ)
- Doing My Job (2ºÐ 31ÃÊ)
- Cutting off the ear: alternate take A (59ÃÊ)
- Cutting off the ear: alternate take B (1ºÐ 21ÃÊ)
* The Critics Commentaries
- AMY TAUBIN, Film comment (22ºÐ 46ÃÊ)
- PETER TRAVERS, Rolling Stone (26ºÐ 31ÃÊ)
- EMANUEL LEVY, author of cinema of outsiders: The Rise of American Independent Film (15ºÐ 16ÃÊ)
* Class of '92
- 1992 SUNDANCE FESTIVAL an introduction (8ºÐ 4ÃÊ)
- ALEX ROCKWELL (3ºÐ 29ÃÊ)
- CHRIS MUNCH (4ºÐ 2ÃÊ)
- KATT SHAE (3ºÐ 57ÃÊ)
- TOM KALIN (4ºÐ 25ÃÊ)
- QUENTIN TARANTINO (5ºÐ 16ÃÊ)
- SUNDANCE INSTITUTE'S FILMMAKER'S LAB Scenes of Reservoir Dogs (11ºÐ 40ÃÊ)
* Tributes and Dedications
- DEDICATED TO... (33ºÐ 52ÃÊ)
- LAWRENCE TIMRNEY (14ºÐ 45ÃÊ)
- EDDIE BUNKER (8ºÐ 5ÃÊ)
- THE RESERVOIR DOGS TRIBUTES (18ºÐ 15ÃÊ)
* The Film Noir Web
- AN INTRODUCTION (10ºÐ 39ÃÊ)
- MIKE HODGES (1ºÐ 32ÃÊ)
- ROBERT POLITO (1ºÐ 20ÃÊ)
- JOHN BOORMAN (2ºÐ 55ÃÊ)
- DONALD WESTLAKE (58ÃÊ)
- STEPHEN FREARS (1ºÐ42ÃÊ)
* Small Dogs (4ºÐ 7ÃÊ)
* Securing the Shot (4ºÐ 22ÃÊ)
* Reservoir Dogs Style Guide (22ÃÊ)
* Theatrical Trailer (1ºÐ 34ÃÊ)
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